Wednesday, July 28, 2010

POST 16

Same time & place as POST 0013

SONG BREAK (Time to buy your snack/merienda, smoke, or go to the CR)
or "THE MYSTERY OF HOW ART CAPTURES REALITY, PARTICULARLY, HUMAN REALITY" or "THE MEANING OF ART" or "ART & HISTORY" etcetc

Sin-cerely D-D-cated to any, every, & all FOREIGNER(S), who, through all these decades, have treated with understanding & compassion, individually or collectively, our nation & our people...
==============
BABALIK KA RIN
==============
Composed by Louie Ocampo
Performed by Gary Valenciano
Lyrics by Ulep

Saan ka man
Naroroon ngayon
Saudi, Japan, o Hongkong
Babalik ka rin (3X)

Anumang layo
Ang narating
Singapore, Australia
Europe o America
Babalik at babalik ka rin

REFRAIN
Kaytagal mo nang nawala
Babalik ka rin (2X)
Kaytagal mo nang nawala
Babalik ka rin (2X)

Saan man
Iyong pinagmulan
Sa iyong nakaraan
Babalik ka rin (3X)

Anumang layo
Ang narating
Iyong maa-alala
Mga dati mong kasama
Babalik at babalik ka rin

Repeat REFRAIN

Sa nakalipas
Na panahon
Sa iyong kahapon
Sa ala-alang
Naghihintay sa 'yo

Repeat REFRAIN
Background sound of gongs
& other native instruments
playing all together

------------------------
I only fully appreciated
the BEAUTY of this song
just this year, 2010!
Almost 3 decades after
it came out & became popular.
Better late than never!
------------------------

DIRECT WORD-FOR-WORD/ARTLESS TRANSLATION:

"YOU'LL (STILL) RETURN/COME BACK" [or "YOU'LL KEEP RETURNING/COMING BACK"]
Composed by Louie Ocampo
Performed by Gary Valenciano
Lyrics by Ulep

Wherever you may be today/now
Saudi, Japan, or Hongkong
You'll still return/come back(3X)
[OR You'll keep returning/coming back]

No matter how far/distant
(You've) reached/gone to
Singapore, Australia
Europe or America
Return & return you will
[or You'll keep returning/coming back]

REFRAIN
It's (been) so long
that you've been gone
You'll still return/come back (2X)
It's (been) so long
that you've been gone
You'll still return/come back (2X)
[or You'll keep returning/coming back]

Wherever
Your origin
To your past
You'll still return/come back
[or You'll keep returning/coming back]

No matter how far/distant
(You've) reached/gone to
You will remember
Your former companions
Return & return you will
[or You will keep on returning/coming back]

To the past times
To your yesterday/yesteryears
To the memories (that are)
waiting for you.

Repeat REFRAIN
Background sound of gongs
& other native instruments playing

BLAH-BLAH
---------
A nice combination of Western & Nusantaran music.
It is commonly-used as musical background by Filipino OFW's
to relate their personal stories in YOUTUBE video presentations.

The climactic part of the song is past halfway (2:37) near the end when Valenciano croons "sa nakalipas na panahon... sa ala-alang naghihintay sa 'yo" & then the native instruments play together with additional chorus. The song then tapers off to resolution gradually to the end, stressing through continued repetition its main phrase, "Babalik ka rin/You'll keep returning". My body hair stand on end when I realize, while listening to the song, how exactly- & perfectly-fitting the LYRICS & the MUSIC go together to present the core MEANING or IDEA of the song which is about SOUL-SEARCHING, seeking one's ROOTS & discovering one's HISTORICAL SELF-IDENTITY. HANEP! ANG GALENG!! To OCAMPO, VALENCIANO, & ULEP: KLAPKLAPKLAP!!

I ask myself:
Is this merely my own personal & private interpretation?
Did the song's creator(s) PLAN on purpose & WILL its creation?
Can ART be the subject or instrument of HUMAN WILL & INTENTIONALITY?
Or is it a product of pure INSPIRATION?

I DEFINE a typical "FILIPINO"
by how much she EMPATHIZES with
(or by the degree of her EMPATHY to)
this SONG.

If you don't FEEL in your BONES
the CORE MEANING or ESSENTIAL IDEA of this SONG,
the thoughts, feelings, sensations, sentiments
& memories evoked in you
by the gestalt of its melody & lyrics
-what it means to EXIST, to BE
to LIVE, to LIVE IN, to LIKE
to LOVE, & to LEAVE your COUNTRY,
your BELOVED HOMELAND,
your place of ORIGIN
behind,
to be forced to go away & work abroad,
compelled by grossly material
economic necessity
to take risks & even SUFFER its consequences
though your Heart & Soul
IS yearning to remain with
& stay beside your LOVED ONES...
THEN
YOU ARE NOT "ONE OF US" [HINDI KA ISA SA AMIN"]
- YOU ARE NOT A GENUINE "FILIPINO"...
["FILIPINO" with BOTH its INSULTING/DEROGATORY
& PROFOUND/NOBLE CONNOTATIONS]

I strongly recommend to OUTSIDERS
who are genuinely interested to learn
about this archipelago & its inhabitants &
who sincerely want to feel or EXPERIENCE
what it is to be "FILIPINO", meaning,
to INTERNALIZE the Filipino LANGUAGE,
to LEARN BY HEART this song
(MEMORIZEd as in automatically-recalled)
& try to (AT THE SAME TIME!)
develop the underlying FEELINGs
& UNDERSTAND the song's core MEANING.
Of course, I DOUBT
IF one can ARTIFICIALLY develop
or voluntarily invoke within oneself
through SCRIPTED behaviour or conditions
the feelings of NOSTALGIA
(its mixed, ambivalent feelings of gladness & sadness),
the innermost emotions evoked upon realizing
through one's own personal experience,
while living & working in a FOREIGN land,
the deep significance & intimate CONNECTION
of one's own FACTICITY
or individual, private & personal
(especially DIFFICULT) situation
to one's own PEOPLE,
to one's own NATION,
to the PAST,
& to HISTORY...

ART IS NOT ARTIFICE,
ART IS NOT ARTIFICIAL.
-sabidaku

MY RATING of this song:
Simply BEAUTIFUL
A certified work of ART
- HISTORICAL ART via the medium of MUSIC.
_______
Mga KAPATID, NAKS NAMAN ANO?!
INGGLESing TO-ITS, HAH!!!
@ RESTRUCTURED STYLISTIX A LA POETIX PA! WAW!
FORANGER ENGLISHMAN na ba KO-AKS???
PERO CUIDAO CAYO, HA!
dahil ang ganitong EMOTING
ang ine-eksployt ng KALABAN!
Ang "emotional & sentimental part
of the Filipino character" ni Badholtz (Pakatandaan ninyo ang nangyari kay PRES. MACSAK.

-------
Isa pang natatanging NOTA-BOL NOTA ni NOTY BOY (NB)

POST 0015

Same time & place as POST 0013
SONGING ALONG

----------------
TAYO'Y MGA PINOY
----------------
(Originally Composed & Performed by HEBER BARTOLOME & BANYUHAY)
Late 1970's or early 1980's
My preferred, because musically slightly-better, version: JUDAS

LITERAL TRANSLATION
REFRAIN: REFRAIN:
Tayo'y mga Pinoy We're Pinoy(s)
Tayo'y hindi Kano We're not American(s)
Huwag kang mahihiya Don't be ashamed
Kung ang ilong mo ay pango If your nose is flat

Dito sa Silangan Here in the East
Aku'y/Tayo'y isinilang I was/We were born
Kung saan nagmumula ang (From) Where originates
Ang sikat ng araw The rays of the Sun

Aku ay may sariling I have my own
Kulay Kayumanggi Brown color
Ngunit di ko maipakita But I cannot show
Tunay na sarili My true self

Kung ating hahanapin If we will seek
Ay matatagpuan (Then) We shall find
Tayo ay may kakanyahang We have the identity?capability?
Dapat na hangaan That should be admired

Subali't nasaan But where are
Ang sikat ng Araw? The Sun's rays?
Ba't tayo ang humahanga Why are we the ones admiring
Doon sa Kanluran? The West?

Bakit kaya tayo ay ganito? Why are we like this?
Bakit nanggagaya Why do we imitate
Mayroon naman tayo? When we have our own?

Ulitin ang REFRAIN Repeat REFRAIN

Mayroong isang aso There is a dog
Daig pa ang ulol Worse than mad
Siya'y ngumingiyaw It meows (&)
Hindi tumatahol Does not bark
Katulad ng iba Like some/others (who)
Pa-Ingles-ingles pa Keep speaking English
Na kung pakikinggan which when listened to
Mali-mali naman Turn out/are incorrect/full of errors
Huwag na lang Forget it/Never mind/Better not
(2X) (2X)

Hoy Hoy Ikaw ay Pinoy Hey Hey You are Pinoy
Hoy Hoy Ikaw ay Pinoy Hey Hey You are Pinoy

-----------
Nosi Bayasi (NB):
-----------
A POWERFUL NATIONALISTIC & ANTI-COLONIAL POP SONG WITH BEAUTIFUL MELODY though the lyrics are not perfect. I believe that the 4th to 6th lines from the last may be changed/improved & rewritten. Rating: Music 100% Lyrics 99%

One clearly-affected commenter in the website from where I downloaded the MP3, apparently unfamiliar with this old song, stated in Tagalog something like: "HEY, THIS IS DIFFERENT! ONLY STONED PEOPLE KNOW ABOUT THIS!" ["IBA'TO! BATO LANG ANG NAKAKAALAM NITO!"] HAR-HAR-HAR!

NOTE VERY WELL that a mere VERSION can be BETTER than the ORIGINAL.
This is in MUSIC. [e.g., Compare: Paul Young's EVERYTIME YOU GO vs. original HALL & OATES] The BARTOLOME brothers (graduates of U.P. SCHOOL OF MUSIC) have beautiful, really musical voices but the JUDAS version has a strange, unusual underlying background sound that permeates it & immediately sets the mood of the listener. Thus, for me, the JUDAS version is BETTER than the BANYUHAY original. And much better than either would be the imaginary THIRD version having BARTOLOME brothers' vocals combined with JUDAS's instrumentation. Is this state-of-affairs the consequence of ELECTRONIC sound & better sound-GENERATION, RECORDING & REPRODUCTION TECHNIQUES? Does it mean that objective SCIENCE & TECHNOLOGY can & do affect & may even CHANGE subjective ART & HUMAN REALITY? - a potentially-controversial PHILOSOPHICAL TOPIC for further discussion.

The song expresses & elaborates on in musical language the MEANING of the following Tagalog saying:

"ANG HINDI MAGMAHAL SA SARILING WIKA AY HIGIT PA SA HAYUP AT MALANSANG ISDA." - Jose Rizal

TANONG: Sumusulat ba si aku (si N.B.) para sa kababayan o para sa dayuhan?
-------
(n) Ninakaw kay N.B.(Noty Boy)
(s) Stolen from N.B.(Noty Boy)

POST 0014

Same time & place as POST 0013

-------START OF COPIED ARTICLE-------
http://www.philstar.com/Article.aspx?articleid=398995

Arts and Culture
The Mark of Sakay: The Vilified Hero of Our War with America
By Carmen Guerrero Nakpil (The Philippine Star)
Updated September 08, 2008 12:00 AM

Well-known Photo of Sakay & his men here

The mark of Macario Leon Sakay was the long, jet-black luxuriant hair that, uncut and un-trammeled, cascaded from the top of a head, always held high and audaciously, down to his shoulders. With it, Sakay left a large imprint on the annals of the Philippine Revolution against Spain of 1896 and the Filipino-American War of 1899, for the sight of him on his horse, riding against the wind, at dawn or the dead of night, his black mane streaming behind him in order to set right some urgent wrong, alarmed his people’s enemies but gave instant hope to their hapless cause.

He had begun life as a fatherless boy (Sakay was his mother’s surname) in congested, urban-poor, Tondo on Tabora St., earning a living doing odd jobs as a blacksmith or as occasional tailor, also as an actor in street theater and comedias, but mostly as a barber. When he made his commitment to Philippine Independence by joining his friend, Andres Bonifacio’s Katipunan, he made hair the symbol of resistance and vowed he would cut his only after he had defeated the Americans.

During his brief lifetime, Sakay became the scourge of all his country’s oppressors — the Spaniards, the Americans, the misguided half-bloods and compatriots — trying in every way he knew to secure freedom from injustice for his people. He was more determined than Rizal, more fortunate than Bonifacio, purer than Aguinaldo, more lyrically mysterious than Mabini. If Filipinos had won the war with America, he would probably have been our Simon Bolívar or our Ho Chi Minh.

Instead, because most history is written by the victors and their partisans and in the American years, Filipino schoolbooks and acceptable public opinion followed the black propaganda of the American annexation and “pacification,” several generations of Filipinos lived and died, believing that Sakay was a criminal with lunatic pretensions, a brigand and a ludicrous bandit. In the late 1930s Lamberto Avellana, my brother Leoni’s chum from the American Jesuit Ateneo, movie director and National-Artist-to-be, made a film about Sakay where he was portrayed as the villainous bandit, with the Philippine Constabulary officer playing hero and leading man (Leopoldo Salcedo.)

What a little research can undo. After Independence, scholars intent on writing history from a Filipino viewpoint began to review the colonial versions and examine old records. They came to the conclusion that Sakay was an authentic hero in the best tradition of Bonifacio, Emilio Jacinto and Apolonio Samson who were his comrades-in-arms in the Katipunan. Far from being a bandit, he was a glorious die-hard, incredibly brave and tenacious, a heroic hold-out for Philippine Independence.

In 1952, Antonio K. Abad, a member of the Philippine Historical Society, published the definitive biography, General Macario L. Sakay: — the only President of the Tagalog Republic. Was He a Bandit or a Patriot? The foreword by Prof. Teodoro A. Agoncillo, read, “No Filipino has been so maligned in history as General Macario Sakay…Sakay and his men lived dangerously and thus invited the hatred of the early Americans who started a double-barreled campaign of imperialism and liquidation. The Americans called them bandits and outlaws… Mr. Antonio K. Abad has recreated the hero out of a mass of documents…His work is a vindication of the much maligned man who dared posterity to emulate his deep devotion to the ideals of independence.”

UP Prof. Renato Constantino also published his findings in the 1960s, demolishing the American colonial libel about Sakay. But colonial propaganda and its lies have a long shelf-life. Only last week I was painfully surprised when a couple of my Manileño friends, in reply to my remark that I was writing about Sakay, replied dismissively, “Oh, that bandit.”

After a hundred years, we still need the backstory of the Revolution against Spain in 1896 and our war with America in 1899 to understand Sakay and his generation.

The day Rizal was exiled to Dapitan, in July 1892, a group of middle-class Manileños met at a private residence on Azcarraga (now Recto) and founded the Katipunan (Ang Kataastaasang Kagalanggalangan Katipunan ng mga Anak ng Bayan), the secret society that planned and initiated the armed struggle against Spain. In four years, the K.K.K.’s membership rose to almost 30,000: students, workers, merchants, farmers from the eight provinces that started the Revolution. Sakay was an early joiner.

After that disastrous first battle in San Juan in August, 1896, Sakay joined the forces that encamped in the hills of Marikina and Montalban and fought in the Katipunan battles, including the victory at San Mateo. After several reverses, the Manila Katipuneros retreated to Cavite where a new general, Emilio Aguinaldo, turned the tide, defeated Bonifacio in a power struggle (Aguinaldo’s Caviteño Magdalo vs. Bonifacio’s Manileño Magdiwang) and went on to win many encounters. The Spanish government called a truce and negotiated the Pact of Biyak-na-Bato.

The heads of the Revolutionary Army retreated to Hongkong, from where they spent the Spanish indemnity money on arms, befriended the US Consuls in Hong Kong and Singapore and resumed the Revolution in 1898 at the height of the Spanish-American War, assuming that the Americans were their allies and protectors. Aguinaldo proclaimed Philippine Independence in Cavite in June, 1898, with the revolutionary forces 80,000 strong, laid successful siege to Spanish Manila, proceeded to liberate Luzon and expected to enter the beleaguered capital and install a Philippine Independent Republic.

But the US had an altogether different agenda. It kept the Filipino forces from entering the city, signed a treaty of surrender with Spain and American troops entered Manila all by themselves, proclaiming the start of the US Occupation, on Aug. 13, 1898.

Dewey had destroyed the Spanish fleet in Manila Bay on May 1, and land troops, newly arrived under Gen. Wesley Merritt, took possession. They had to wait, however, for the Treaty of Paris in which Spain ceded a colony it no longer held to the US for $20 million, and started in February 1899, a first military encounter with Filipino troops holding the trenches around Sta. Mesa. The Filipino-American War was formally settled in 1902, after the capture of Aguinaldo in his mountain hideout in Palanan, Isabela, in 1901. But Filipino guerrilla action against the US forces did not end until 1907 when the first Filipino parliament was allowed by the US America spent $300 million more pacifying the Filipinos they thought they had bought at the bargain-basement price of $20 million.

Having survived the Revolution against Spain, Sakay was, at the beginning of the Philippine resistance to the US, an undercover man in Manila where he tried to reactivate the Katipunan, organizing commandos and intelligence and sabotage units. While head of the Dapitan section of the K.K.K., Magdiwang in Manila, Sakay was arrested and jailed by US authorities and released under the general amnesty of July 1902. He quickly took to the hills and organized huge guerrilla forces which operated in Rizal, Cavite, Laguna, Batangas, and the foothills of Mt. Banahaw. No ragtag band, just one of Sakay’s commanders had 4,000 troops.

In his mountain lair, he proclaimed, on May 6, 1902 the establishment of the Kapuluang Katagalugan (The Tagalog Archipelago) with himself as president, Francisco Carreon as vice-president and Lt. Gen. Julian Montalan as chief of staff. The terms “Tagalog Archipelago” were chosen in contrast to the “Philippine Republic” of the rival Aguinaldo Magdalo.

In a second manifesto, a constitution was enacted and published in Tagalog and Spanish in newspapers edited by Lope K. Santos, proclaiming the Tagalog Archipelago as the “true revolutionists, with a government at Dimas-Alang,” beseeching the representatives of other nations “for help in acquainting the world with our true intent and aims for our unfortunate country.” Sakay’s government had a flag, a system of taxation, a disciplined army consisting of regular battalions and regiments of infantry, artillery, engineer and medical corps with separate commands in full uniform. It operated in total defiance of the hugely superior, first modern foreign army, infuriating and mocking US authorities in Manila. It was a hard state with strict laws impersonally and impartially executed, especially capital punishment and physical maiming imposed on informers, collaborators, and spies of the US government. It took the Americans 3,000 troops and two more years to think they had defeated Sakay. Although, “pacification” had formally ended, there was no let-up in the attacks of Sakay’s forces on US installations.

At last in 1905-06, the Americans devised a more successful trap. First, they passed a Brigand Act defining all forms of resistance to US rule as criminal acts deserving of capital punishment. American officials were able to wean many of the ilustrado elite from their anti-colonial advocacies. Men like T. Pardo de Tavera formed the Federalista Party that aspired to statehood in the US Union; the Paternos, Aranetas, Benitezes participated in other events; Epifanio de los Santos became a delegate to the US Exposition in St. Louis in 1904. Alongside with Sakay’s guerrillas, bands of highwaymen, robbers, cattle-rustlers operated in the Luzon countryside and, when caught, claimed to be Sakay’s troops. Sakay himself, a dashing, romantic figure, was rumored to have kidnapped the comely wife of a provincial governor who vowed revenge. One of the most charming, persuasive ilustrados, Dr. Dominador Gomez, was asked by the Americans to approach Sakay and discuss amnesty for his thousands of soldiers.

Gen. Leon Villafuerte later testified that Dr. Gomez had told Sakay and his officers that, “The American governor-general has promised to create a national assembly of our countrymen elected by the people where our leaders can be trained for eventual self-government. As soon as we prove ourselves capable, we shall be granted independence.” After long treks to Tanay and several visits by Dr. Gomez, Sakay, Carreon, Villafuerte, Montalan and de Vega came to Manila on a safe-conduct pass from the Americans. Dressed in rayadillo uniforms, carrying pistols and daggers, their long hair neatly combed, they came on foot with hundreds of overjoyed townspeople showering them with food and other gifts, guitar music and singing. People acclaimed them as celebrity heroes and they were feted at banquets and dances.

On July 17, they were invited to a town fiesta in Cavite by US Col. Van Shaick, the acting Cavite governor. An orchestra played dance music amid American flags and bunches of flowers. At 11:30 a.m., US officers, pistols in hand, walked in and although Sakay fought unarmed against “his giant attacker,” he and his officers were disarmed. The building was surrounded by Filipino Constabulary officers.

Gen. Villafuerte shouted, “We have been betrayed and we are trapped. Doctor, what is the meaning of this?” Dr. Gomez stepped forward: “There’s no use fighting.” Sakay’s eyes were bloodshot. He said, “Tell the Americans to face us in the open field, in honorable battle.” And to the Filipino Constabularios, he remarked, “Aren’t you ashamed of what you are doing?” Manacled, they were taken by boat to the Hotel de Oriente in Binondo and then to Bilibid Prison. Captain Rafael Crame presided over the preliminary investigation and the accused were charged under the Brigand Act. They were defended by Attys. Felipe Buencamino and Ramon Diokno (father of the great anti-Marcos militant Pepe Diokno).

In Bilibid, the prisoners were allowed visits by family and friends who were astoundingly numerous, bringing food, gifts, letters. Sympathizers who pleaded for clemency, included Aguinaldo, Gregorio Aglipay, the Iglesia Filipina Independiente, the Liga de Mujeres, the Union Obrera Democratica. The prisoners also witnessed prison atrocities (which today recall Guantanamo and Abu-Ghraib): 300 members of the Sakay forces were secretly hanged inside Bilibid and 100 more were injected with lethal serum. Many of them had surrendered because Sakay had told his troops they would not be harmed because the Americans had promised a congress of elected Filipino representatives who would rule the country if they abjured armed resistance.

At the trial at the Court of First Instance, using false witnesses, Sakay and his men were accused of robbery in band, murder, rape, summary executions, arson, kidnapping.

Dr. Dominador Gomez instructed them to plead “guilty” because they would then be pardoned. The public defenders, Attys. Buencamino and Diokno, advised them to plead “not guilty,” to show both innocence and non-recognition of US sovereignty. On Aug. 6, 1907, Judge Ignacio Villamor (who would become UP president) convicted them. Those who had pleaded not guilty, like Sakay and de Vega, were hanged. The others, who had listened to Dr. Gomez, had their death sentences commuted or were later released.

A discrepancy intrudes at this point. Just who was Dr. Dominador Gomez? The agent chosen by the Americans to lure Sakay into leaving his headquarters in the mountains of Tanay to come to Manila? From William J. Pomeroy and the National Historical Institute; we learn that he was a medical doctor, a graduate from the University of Sto. Tomas, who in 1903, at the beginning of the American regime, had taken over from Isabelo de los Reyes the leadership of the Union Obrera and had participated in a large anti-American rally. Gomez was arrested for sedition, tried and convicted to four years of hard labor and ordered to pay a fine. His case was on appeal to the Supreme Court (manned by US justices), his sentence un-served, when he began to negotiate Sakay’s surrender, going on arduous treks to Tanay for long discussions, showing a letter from the US governor-general that promised a Filipino assembly, “the door to freedom,” if Sakay and his generals laid down their arms.

The American betrayal in Cavite, Sakay’s and his men’s trial, and conviction have already been told in this article. What remains to be noted is that, two weeks after Sakay was hanged, Dr. Dominador Gomez’s pending case was summarily revived and quickly dismissed for “insufficient evidence.” Gomez then went on to become a representative for the First Philippine Assembly of 1907 where he was denounced and expelled by Sergio Osmeña and Manuel Luis Quezon, for having served as a surgeon in the Spanish army in Cuba and received a medal from the Spanish queen during the Spanish-American War. But in 1909, Gomez was re-elected to a second term because, despite his previous disgraceful expulsion, he was backed by the US authorities. The facts speak for themselves. Sakay was the plea bargain.

At 8:30 in the morning, on Sept. 13, 1907, Sakay and Col. Lucio de Vega were taken from their bartolina to the gallows. Reaching the platform, Sakay shouted at the top of his lungs, “I face the Lord Almighty calmly but we must tell you that we are not bandits and robbers as the Americans accuse us, but members of the revolutionary force that defended our country. Long live the Philippines! Adios Filipinas!” Sakay was 37.

The day before, a big crowd of Manila residents had gathered in front of Malacañang Palace in an unusual, emotional demonstration pleading for clemency, but the American governor-general refused to see them. Almost the same crowd, larger and more vociferous, was at the gates of Bilibid Prison asking to be allowed to wrap the bodies of Sakay and Col. De Vega in Katipunan flags before they were buried. They were refused.

The US Government kept their word about calling a Filipino assembly. In October 1907, the First Philippine Assembly of Filipinos elected (by men of property) was inaugurated at the Manila Grand Opera House on Calle Cervantes (now Rizal Avenue) by Secretary of War William H. Taft. Acting Secretary of the Philippine Commission Ferguson read the Spanish translation of Taft’s speech, followed by an invocation by Bishop Barlin. After the roll call, with names like Gabaldon, Gomez, Guerrero, Imperial, Osmena, Palma, Quezon, Velarde, De Veyra, roundly applauded, the session was adjourned till the afternoon. A young delegate from Cebu, Sergio Osmeña was elected Speaker by acclamation.

But Philippine Independence was granted by America only 40 years later, on 4 July 1946, after a devastating war, and on several conditions: equal rights to US citizens in the development of natural resources, US military bases in perpetuity, economic treaties including the onerous “free trade” (that denied industrialization to this country), also interventions in Philippine elections and in foreign and educational policies.

It was the kind of independence, Macario Leon Sakay, Katipunero and patriot, an “organization genius” as his American captors described him, never would have settled for or even considered. He would have chosen instead to die fighting America, if he had known the truth and seen the future of his adored Filipinas.

* * *
(The National Historical Institute and the University of the Philippines have erected a marker at the foot of Mt. Banahaw where General Macario Sakay and his troops operated. The Manila Historical Heritage Commission held a commemorative program last year at Plaza Morriones Tondo in honor of Macario Sakay. This year, on Sept. 13, 2008, a life-size statue of Sakay will be unveiled at Plaza Morga Tondo by the Manila Historical Heritage Commission.)

View previous articles from this author.
-------END OF COPIED ARTICLE-------
-----------
Nosi Bayasi (NB):
-----------
1) I do not know if Madam Nakpil was ever informed by anyone among her staff that I tried once to personally contact her sometime in the past to consult her about her writings. In fact, I visited the building in Salcedo Village, Makati which was a walking distance from the Indonesian Embassy where Muslims from different nations including the Philippines gather for Friday prayers. I remember now that it was the same building where I was employed briefly as a data encoder in a mini-computer station, working on graveyard shift in the 1980's. [This was years before the job of "call center agent" became popular.] I had read somewhere that her office or one of her offices was in that building. But I was told by the ground security officer that she was not around. I had also attended an event in the Fort Santiago de Vera where her daughter Gemma Cruz spoke to a mostly Muslim audience, including some "big-shots" & foreigners whom I knew personally. This was in the late 1990's or early 2000's just shortly before the ABU-ABU-SAYAP-SAYAP grabbed the headlines.

2) "purer than Aguinaldo"?? - EMI inFAMY AGUI was NOT & NEVER "pure"!! NO! Noble? NO. No-balls? YES! [Read DMACAPAGAL's own personal account how in the 1960's AGUI's side remark to him (while they were both seated at the Quirino grandstand watching the first June 12 celebration-parade) betrayed the latter's DESIROUS, OVERLY-AMBITIOUS, & ENVIOUS CHARACTER - for he even wanted to replace with his own RIZAL's metal figure at the Luneta!!! Pati REBULTO ng mismong PAMBANSANG BAYANIng si RIZAL eh TATALUNIN!! SUSMARYOPES!!! UNETHICAL na, IMMORAL pa! A REAL ROGUE! TSK TSK TSK TSK Ambisyoso, Duwag, Inggitero, Mapagkamkan, Oportunista, Tuso - pawang mga "UGALING-ASAL"!! Ganyan bang klase ng tau ang tinitingalang bayani ng mga taga-SANIPILIP??? LOK-BOOH!!! Kaya naman pala ganyan ang gobyerno ng Pilipinas, eh! I guess AGUI simply has to go & should be EXPUNGED from PHILIPPINE HISTORY or else this nation will ultimately end up a FAILED STATE. And time to declare ANDRES BONIFACIO as the TRUE NATIONAL HERO of the PHILIPPINES!!

3) I am quite sure that Sakay & his group were simply imitating the Macabebe Scouts who were the original long hairs of that historical period. [Or am I mistaken & it is the other way around? I saw first old photos of Macabebes sporting waist-length hair. According to historical accounts, the Macabebe mercenaries physically-imitated Sakay's REVOLUTIONARY group but preyed on civilians to discredit them. (I remember that my GRANNIES KNEW SAKAY.) Of course, they could have discovered it independently because when one is not living in the urban area with "straight people" of society (i.e., when one is in the BOONDOCKS), one tends to let nature take its own course & leave things as these are - including letting one's hair, even nails, beards, & mustaches grow uncut & untrimmed. Is it strange that JC the Chrst of Nzrth is universally-pictured as sporting long hair & beard? Even Nb Mhmmd bn bdllh of Mkkh sported long hair sometime in his career! Ask religious Middle Easterners (Arabs, Persians & Turks) & even those from the Indian subcontinent what uncut beards & hair signify. [But what about baldies or skinheads? Does this mean that they are NOT revolutionaries like JC, Mhmmd et al? Now, I would recommend that they just keep their shiny pates, which is so plainly ordinary nowadays, but simply use wigs as a form of "reverse" disguise. They can be very effective SPIES for revolutionaries. But it would be much better if they build or buy a wig factory first. Big business potential! Of course, there is the risk that if it succeeds financially, then they might just forget about revolution.]

3) Look closely at the S's gang photo & examine his face. I wouldn't be suprised if his Darwinist-racist detractors would claim that he looks simian (monkey-ish). He looks very like someone I know. But note that, according to some accounts, SAKAY's Yanqui captors considered him to be a wizard at organizing! So, apes can teach a course on "Theory of Organization" in Business Management school? [See my blog on GENETICS, RACE & RACISM]

4) S's "Filipinas" was actually Bonifacio's "Bayang Katagalugan".

Evening news on TV (072210) report a double murder of females in Cavite, one of whom is surnamed "Sac/kay"... CHANCE or CHOICE?

LALABAS AT LALABAS ANG KATOTOHANAN...
KAYA NGA SINABI NA "ANG KASAYSAYAN AY DAPAT KATAKUTAN"->(MY Preferred INTERPRETATION)

POST 0013

July 29, 2010
6:06 a.m. Manila Time

TAGALOG:
Marami sa inilabas ko dito sa aking BLOG ay galing sa ibang tau at kinopya lamang. Ni hindi aku talagang nag-react o nag-komento ng husto sa mga ito. Hindi ko rin talaga sinuri ang mga ito. Ipinakita ko lamang ang mga uri ng babasahin na dapat nabasa, naunawaan at natandaan ng aking bumabasa upang maunawaan niya ang aking
"kahulugan" o ang takbo ng aking kaisipan. Karaniwan kasi ay kailangan ng malawak na KONTEKSTO upang maintindihan o maunawaan ang mga pahayag o sinasabi ng isang tau. Kahit yung baliw kung mauunawaan ang BACKGROUND o konteksto ng pinagsasasabi nito ay malamang na may katuturan naman. Aku nga ay nakikipag-usap sa isang masasabing may
SAYYAD subali't mas nais ko siyang kausapin kaysa sa ibang matitinong taung nakapaligid sa kanya na wala namang alam at wala akung matututunan. Marami talaga siyang nalalaman na pinag-sikapan niyang alaming mag-isa at sa tingin ko ay medyo sumayad nga sa sobrang katalinuhan o dami ng naisip. Kung marunong ka lang sumakay ay marami kang matututunan sa kanya na hindi mo makukuha sa pagbabasa ng aklat o kahit sa pakikipag-usap sa matino! Ang delikado lang sa mga taung may TRA-LA-LA (kagaya ni SISA na ina nina Crispin at Basilio sa nobelang NOLI ni Rizal) ay yung may sayad na medyo bayolente a la JOHN DOE BALL CROST na sinusuotan na ng strait-jacket! (Kaya pala paborito niya ang curved jackets, eh!) Mayroon nga akung malayong
kamag-anak na nakapag-asawa ng may sayad (Hindi kadugo namin kundi yung napangasawa ng kapamilya namin ang may sira.) Wika daw nito: "All geniuses are mad but not every one who is mad is a genius." O lahat daw ng henyo/genio ay sira ang ulo pero hindi lahat ng sira-ulo ay henyo/genio. [Ang nasabing pahayag ay mainam na panimulang
talakayin sa larangan ng LOHIKA. Gamitin ang 1ST ORDER PREDICATE CALCULUS upang isimbolo ang pahayag, at suriin ang resulta. Maaari pang talakayin ang tinatawag na NECESSARY & SUFFICIENT CONDITIONS. Mahalaga kasi ang LOHIKA upang mabigyang linaw ang pinagsasasabi ng isang tau dahil may mas malalim na pakahulugan ang isang pahayag na hindi makukuha agad sa unang pagsipat o pagdinig dito... At ang tunay na may sayad ay wala nang lohika ang mga pinagsasasabi...

Bilang review sa mga ipinaglalagay ko dito:
-Una kong post ay yung kulang ang pera ko at sinimulan ko ang BLOG na ito sa presyong PP10. Bumati lang aku ng pagsalubong sa bumabasa.
-Ikalawa ay ini-upload ko ang LYRICS ng pambansang awit ng Pilipinas sa wikang Inggles (na mas nauna!) at sa wikang Tagalog. Marahil ay ididikit ko dito yung talagang wastong tugtog/tiyempo/tono nito na MARTIAL MUSIC. Medyo mabilis at hindi kagaya ng tinutugtog at inaawit ng mga bumibirit nating stariray songers sa mga boxing events. Siguro sa ibang pagkakataon o sa ibang BLOG ay tatalakayin at ipaghahambing ko ang iba pang MUSIKANG MAKABAYAN o national anthems ng ibang bansa. Kailangang aminin ko na PANGATLO (3rd) lamang ang ating pambansang awit sa pagandahan. Op kors, subjective judgment na ito...
-Sunod-sunod kong inilagay ang iba-ibang sinulat ng mga kilalang tau hinggil sa kasaysayan ng kapuluang ito. Patungo na aku mula sa nasyonal o lokal papunta sa rehiyonal at maging internasyonal o global na antas. Hindi kasi maiintindihan ang mga kaganapan sa isang lugar kung hindi mauunawaan ang iba pang mga kaganapan sa mas malawak na kinalalagyan nito. Dalawang perspektibo ang kailangang sipatin: LUNAN/LUGAR at PANAHON (time & place), Heograpiya at Kasaysayan... Sa pangkalahatan ay binibigyan ko ng pakahulugan ang kasaysayan ng kapuluang ito ayon sa aking mga natutunan at pinaniniwalaan na tutoo.

Subali't iisang katanungan lang talaga ang kailangang paka-alalahanin ng bumabasa: ANO ANG TUTOO O ANG KATOTOHANAN? - hinggil sa Pilipinas, sa mga Pilipino, sa kasaysayan atbp.

ENGLISH:
Most of the writings in this my BLOG came from other people & were simply copied & pasted. I did not really react or comment on these. Nor did I analyze these. I just wanted to give my readers an idea of the genre of reading materials that they should have read, understood & remembered for them to understand my "meaning" or the train of my thoughts. Normally, one needs to understand the broader CONTEXT in order to grasp the statements of a person or what she is saying. Even with a crazy person, if one understands the BACKGROUND or context of what he is saying, then his statements might make sense. I myself converse with somebody who can be considered SAYYADific but I prefer to talk to him instead of other normal people around him who do not know anything & from whom I won't learn anything. He really knows a lot of things that he learned all by himself & I believe he went nuts due to extreme intelligence or information overload. If you know how to handle him, then you will learn a lot from the person that you won't get from/by reading books or talking to ostensibly sane people! The dangerous ones among those afflicted with TRA-LA-LA (like SISA,
Crispin & BasilioS's mother in Rizal's novel NOLI) are the violent ones who require strait-jacket!(No wonder JOHN DOE BALL CROST's favorite outfit are curved jackets!) I myself have a distant relative who got married to a crazie (I am not related by blood to the nut but to her husband.) She stated once: "All geniuses are mad but not every one who is mad is a genius." [This particular statement is an excellent introductory topic in the field of LOGIC. One may use 1ST ORDER PREDICATE CALCULUS to symbolize the statement & analyze the resut. One may also discuss so-called NECESSARY & SUFFICIENT CONDITIONS. LOGIC is important in clarifying the statements of a person because a statement may contain something more than what meets the eye or ears & may not be grasped at first reading or hearing... And a real nut makes statements that do not have any logic...

To review what I have done so far in this BLOG:
-First, I started this BLOG on PP10 & posted the WELCOME greeting
-Second, I posted the Philippine National Anthem lyrics in English (which historically came first!) and in Tagalog. Maybe I shall add in this same posting the correct tune/rhythm/music of the anthem which is MARTIAL MUSIC. It is fast unlike those that are usually played or sung by Filipino starsingers in boxing events. Maybe here in the future or in another BLOG I shall present other NATIONALISTIC anthems of other nations or countries & compare these. I have to admit that our national anthem is 3rd in overall ranking in BEAUTY. Of course, this is a subjective judgment...
-I posted successively different writings of other persons about the heroes & history of this country. I am now moving from the local or national towards the regional & even the international & global level/scene. One cannot really grasp or understand the events in one place if one does not understand the other events in the broader space in which it is situated. Two perspectives must be considered:
TIME & PLACE, History & Geography... As a whole I am trying to present my own meaning or interpretation of the history of this archipelago based on what I have learned & what I believe in (as true).

But there really is only one question that should be kept in mind by the reader: WHAT IS THE TRUTH?- about the Filipinos, the Philippines, its history, etc.

POST NO. CONTENT
-------- -------
0001 WELCOME MAT.
0002 PHILIPPINE NATIONAL ANTHEM LYRICS
0003 NOSI BAYASI'S SANIPILIP HISTORY
0004 SAKAY MOVIE CLIP DIALOGUE
0005 E.R. SAN JUAN RIZAL ARTICLE
0006 EUGENE HESSEL RIZAL RETRACTION ARTICLE
0007 NOSI BAYASI'S HEBIGAT ISYUS ON
0008 NICK JOAQUIN TAGALOG-PAMPANGAN ARTICLE
0009 MILAGROS GUERRERO BONIFACIO & 1896 ARTICLE
0010 JUMAANI MORO HISTORY
0011 ZABOLOTNAYA ARTICLE ON RUSSIAN TAGALOG STUDIES
0012 DIVIDE & CONQUER ARTICLE
0013 THIS PRESENT POSTING: TABLE OF CONTENTS
0014 TAYO'Y MGA PINOY & BABALIK KA RIN: ART & IDEOLOGY
0015 NAKPIL ON SAKAY
0016 IMPERIALISM & COLONIALISM
0017 MARXISM: TWO ITEMS
0018 LINGGA TWO NATIONS
0019
Pagkatapos ng ilan pang mahalagang POSTINGS ay sunod ko namang tatalakayin ang IMPERYALISMO, KOLONYALISMO,

MARXISMO, DIGMAAN ng PAGPAPALAYA at REBOLUSYON.
Next, I shall tackle IMPERIALISM, COLONIALISM, MARXISM, WARS OF

LIBERATION & REVOLUTION - REVOLUTIONS & REVOLUTIONARIES IN HISTORY,

MARXIST-SOCIALIST REVOLUTION, ISLAMIC REVOLUTION, etcetc.

"A REVOLUTIONIST HAS TO BE A LITTLE LOCO."
-attributed to ERNESTO "CHE" GUEVARA, Latin American REVOLUTIONARY

"GENUINE EDUCATION IS LIBERATING."
"Ang TUNAY na EDUKASYON ay MAPAGPALAYA."
-Nosi Bayasi (sabidaku), LE CHE